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・ Henri Charles Bois
・ Henri Charles de La Trémoille
・ Henri Charles du Cambout de Coislin
・ Henri Charlier
・ Henri Charr
・ Henri Charrière
・ Henri Childs
・ Henri Chomette
・ Henri Chopin
・ Henri Choussat
・ Henri Christian Michel de Stengel
・ Henri Christiné
・ Henri Christophe
・ Henri Aubry
・ Henri Auguste
Henri Auguste Barbier
・ Henri Auvinen
・ Henri Azéma
・ Henri B. Kagan
・ Henri Bacry
・ Henri Baels
・ Henri Bal
・ Henri Bangou
・ Henri Barabant
・ Henri Barboux
・ Henri Barbusse
・ Henri Barbé
・ Henri Bard
・ Henri Baruk
・ Henri Basnage de Beauval


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Henri Auguste Barbier : ウィキペディア英語版
Henri Auguste Barbier

Henri Auguste Barbier (April 29, 1805 – February 13, 1882) was a French dramatist and poet.
Barbier was born in Paris, France. He was inspired by the July Revolution and poured forth a series of eager, vigorous poems, denouncing the evils of the time. They are spoken of collectively as the ''Iambes'' (1831), though the designation is not strictly applicable to all. As the name suggests, they are modelled on the verse of André Chénier. They include ''La Curée'', ''La Popularité'', ''L'Idole'', ''Paris'', ''Dante'', ''Quatre-vingt-treize'' and ''Varsovie''. The rest of Barbier's poems are forgotten, and when, in 1869, he received the long delayed honour of admission to the Académie française, Montalembert expressed the general sentiment with “Barbier? mais il est mort!,” but actually he died at Nice in 1882.
Barbier collaborated with Leon de Wailly in the libretto of Berlioz' opera, ''Benvenuto Cellini'', and his works include two series of poems on the political and social troubles of Italy and England, printed in later editions of ''Iambes et poèmes''.
==References==

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